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Message » 28 Juil 2017 20:05

jhudson a écrit:Pas encore vu Ben en Batman ( mais j'ai les blu ray ) mais je ne suis pas inquiet, donc ça viendrait de son age, bande de mufles!!! :evil:


L'expression exacte que j'ai entendu à la radio et qui aurait fuitée et serait prétée à Warner c'est : Affleck's body hasn't exactly been a temple
On est dans la grande classe :zen:

jhudson a écrit:Oui pour Phil Lord et Chris Miller , leur renvoie est d'une clarté rarement vue !

Je pense que les prendre pour un Star Wars était une erreur, leur truc est plutôt la comédie en plus ils improvisent, improviser sur un film de plus de 100 M$, les producteurs ont leur part de responsabilité , ils sont pris direct un réalisateur connu Ron Howard comme s'ils ne voulaient plus prendre de risque !!

Tu as raison

jhudson a écrit:Pour Rogue One il y aurait eu des reshoots par une autre réalisateur ( mais je ne sais pas son nom, ça n'a surement pas été dit ) que Gareth Edwards , mais lui est resté sans rien dire , c'est la raison qu'ils veulent des réalisateurs débutants , souvent ils ne disent rien !

Quant tu vois
qu'on avait initalement ecrit un scénario où tout les gentils survivaient alors que cela n'avait aucun sens aux vues de l'anthologie vu qu'on ne les voit jamais dans le 4-5-6. Et que lorsque Gareth Edwards a vu que cela ne pouvait pas fonctionner et qu'il a dut demander à Lucasfilm et à Disney la permission de les faire mourir. :hein: => http://www.starwars-universe.com/actu-1 ... e-one.html
On ne peut pas faire un bon film dans ce genre de condition


Pour revenir à Netflix ils peuvent marquer beaucoup de points en proposant du contenus moins mainstream que les editeurs traditionnels
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Darkhan
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Annonce

Message par Google » 28 Juil 2017 20:05

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Message » 28 Juil 2017 20:15

Darkhan a écrit:Quant tu vois
qu'on avait initalement ecrit un scénario où tout les gentils survivaient alors que cela n'avait aucun sens aux vues de l'anthologie vu qu'on ne les voit jamais dans le 4-5-6. Et que lorsque Gareth Edwards a vu que cela ne pouvait pas fonctionner et qu'il a dut demander à Lucasfilm et à Disney la permission de les faire mourir. :hein: => http://www.starwars-universe.com/actu-1 ... e-one.html

On ne peut pas faire un bon film dans ce genre de condition

Tu détournes un peu les propos là. Le réalisateur dit qu'il pensait qu'il ne pourrait pas alors il avait commencé à faire autrement, puis qu'il pensait qu'il n'aurait pas l'autorisation et on lui a dit oui, et enfin il pensait qu'à tout moment on allait lui dire de changer et ce n'est jamais arrivé.
Il dit donc qu'il n'y a eu aucune pression sur lui à ce sujet et qu'il se l'était mise tout seul inutilement.

Désolé du HS ^^.
Phil
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Message » 28 Juil 2017 20:21

Oui erreur de ma part :oops:
j'ai retranscript de mémoire et j'ai retrouvé le lien que par la suite que je n'ai pas relu
Mais Cela démontre dans tout les cas qu'il y a un pb sur le contexte ou processus créatif et/ou dans la selection des réals
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Message » 28 Juil 2017 23:11

À partir du moment où tu t'autocensures dans un processus créatif c'est qu'il y a un gros problème qq part...
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Message » 30 Juil 2017 0:12

Mr Eric a écrit:À partir du moment où tu t'autocensures dans un processus créatif c'est qu'il y a un gros problème qq part...


C'est le devenu le gros probléme des films PG 13 , exemple la scéne de "torture" risible du dernier James bond avec les mini foreuses , on est loin de la scéne du dentiste de Marathon man ! :mdr:

On voit même les coupes fait (après le tournage) pour passer la censure , on sens qu'un plan manque et que la scéne n'avait pas été pensé comme cela car elle perd en impact !
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Message » 31 Juil 2017 14:27

Merci pour le lien donné dans un autre topic. Je sens que je vais découvrir de belles choses ici.
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Message » 31 Juil 2017 14:38

:ane:
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Message » 02 Aoû 2017 21:05

Avalanche d'animes à venir chez Netflix dont une petite surprise :siffle:


Communiqué officiel => https://media.netflix.com/en/press-rele ... to-netflix


New Anime Content Coming to Netflix



Yesterday in Tokyo, Netflix announced a slate of exciting new anime programming and some new video in support of upcoming anime programming, including the following:


Cannon Busters

Created, directed and executive produced by LeSean Thomas (Children of Ether), the series follows the adventures and exploits of S.A.M, a high-end, royal-class friendship droid who’s joined by a quirky, discarded maintenance robot and a brash, deadly fugitive. Together, the unlikely trio embarks on an unforgettable journey in a fantastic and dangerous world in search of S.A.M’s best friend, the heir to a powerful kingdom under siege. Twelve episodes are being produced by Manga Entertainment Ltd, Nada Holdings and Satelight (Macross Delta).

Writers: Natasha Allegri (Creator of Bee & Puppycat), Anne Toole (Writer’s Guild nominee for "The Witcher" video game), Nilah Magruder (M.F.K. web series) and LeSean Thomas, among others.
Story Editor - Matt Wayne (Justice League Unlimited, Niko & The Sword of Light)



Devilman Crybaby



The protagonist Akira Fudo (Koki Uchiyama) learns from his best friend, Ryo Asuka (Ayumu Murase), that an ancient race of demons has returned to take back the world from humans. Ryo tells Akira that the only way to defeat the demons is to incorporate their supernatural powers, and suggests that he unite with a demon himself. Akira succeeds in transforming into Devilman, who possesses both the powers of a demon and the soul of a human. The battle of Devilman and Akira Fudo begins. The series, comprised of 10 episodes, is a Science SARU production and will launch on Netflix globally in Spring 2018.

Original story: “Devilman” by Go Nagai.
Director: Masaaki Yuasa
Screenplay: Ichiro Okouchi
Music: Kensuke Ushio





B: The Beginning (formerly known as Perfect Bones)

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In a world powered by advanced technology, crime and action unfold in the archipelagic nation of Cremona. Koku, the protagonist. Keith, the legendary investigator of the royal police force RIS. A mysterious criminal organization. A wide variety of characters race through the fortified city as it is beset by the serial killer, Killer B, and a chain of crimes in this suspense drama by director Kazuto Nakazawa and Production I.G. The series is comprised of 12 episodes and is a Production I.G. series that is set to debut globally on Netflix in Spring 2018. B: The Beginning stars Hiroaki Hirata, Yuki Kaji, Asami Seto, Hiroki Touchi, Minoru Inaba, Ami Koshimizu, Toshiyuki Toyonaga, Shintaro Tanaka, Atsushi Goto, Toshiyuki Morikawa and Kaito Ishikawa.

Original: Kazuto Nakazawa x Production I.G.
Directors: Kazuto Nakazawa, Yoshinobu Yamakawa
Producer Rui Kuroki
Screenplay: Katsunari Ishida
Character Designer and Key Animation Supervisor: Kazuto Nakazawa
Color Designer: Narumi Sakai
Art Supervisor: Yukio Nagasaki
Music: Yoshihiro Ike
Editor: Junichi Uematsu
Song: The Perfect World
Song-Arrange-Guitar: Marty Friedman
Bass: KenKen (aka LIFE IS GROOVE/RIZE/Dragon Ash)
Arrange-Programming: Koji Fujimoto



Sword Gai: the Animation

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A weapon that has drawn the blood of countless victims becomes legend, and at times takes on a life of its own. When such a weapon’s human host is filled with hate and murderous intent, he becomes a demonic combination of weapon and man that thirsts only for slaughter.

An organization has faced these dangerous beings over the centuries. A young man named Gai is destined to live as a weapon. As humans are enthralled by their weapons’ power, epic battles unfold with the fate of humanity in the balance in this battle action fantasy. The series will debut globally on Netflix in Spring 2018.

Screenplay: Toshiki Inoue




A.I.C.O. Incarnation

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In Japan in the year 2035, an accident known as the "Burst" occurs during a research project, spawning an out-of-control artificial life form called "Matter" that has spread throughout the Kurobe Gorge. The research city that was once hailed as the hope for humanity is cordoned off by the government. Two years later, 15-year-old Aiko Tachibana, who lost her family in the Burst, learns something unbelievable from Yuya Kanzaki, a new student at her school. A secret is hidden within her body, and the answer to the puzzle lies at the "Primary Point" that was the center of the Burst. Aiko resolves to infiltrate the restricted area, escorted by a team of divers and with Yuya as her guide. When boy meets girl with the fate of humanity in their hands, what new truth will come to light? The series comprised of 12 episodes is produced by Bones, whose notable works include “Psalms of Planets EUREKA SEVEN” and “My Hero Academia.” The series will debut globally on Netflix in Spring 2018.

Director: Kazuya Murata



Lost Song

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An all-new, classic fantasy starring Yukari Tamura and Konomi Suzuki as the two heroines.

Rin (Konomi Suzuki), an energetic girl who loves to eat, lives in a verdant frontier village.

Deep within the royal palace in the bustling capital city, the songstress Finis (Yukari Tamura) spends her days in solitude. Both share a special power no other person has. A miraculous power that can heal wounds, create water and stir the wind -- the power of song. Guided by destiny, the two young women each face an arduous journey with the power of song. The shadow of war looms over the kingdom, tainting even the miraculous songs with the blood of innocents. Loved ones meet their deaths as silent screams echo through a stone prison. As two destinies intersect, will the final song be one of despair, hope or...? The series is comprised of 12 episodes, and is a LIDENFILMS x Dwango co-production. Lost Song will debut globally on Netflix in 2018.

Director and screenplay: Junpei & Morita
Original character design: Tomonori Fukuda
Lyrics: Aki Hata
Music: Yusuke Shirato
Background art: Dehogallery





Rilakkuma Series (Working Title)

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Ever since its merchandise first went on sale by San-X in 2003, the “Rilakkuma” character has enjoyed immense popularity especially among women. After being featured in many merchandising and industry campaigns, it is now widely recognized both in Japan and abroad. To mark its 15th anniversary, Dwarf Studio now brings to bear its world class stop motion animation skills to produce the first animated series featuring “Rilakkuma.”

Rilakkuma is a soft toy bear who showed up one day to live with an office worker named Kaoru. He spends his days lounging around the apartment. Although there’s a zipper on his back, what’s inside is a mystery. He loves pancakes, rice omelets, custard pudding and “dango” rice dumplings. His friends are Kaoru’s pet bird Kiiroitori and a small white bear cub named Korilakkuma who also showed up out of the blue.

The series, comprised of 13 episodes, is produced by Dwarf and is the first stop motion animated series featuring “Rilakkuma”.



Knights of the Zodiac: SAINT SEIYA 8)

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KNIGHTS OF THE ZODIAC: SAINT SEIYA follows modern day adventures of young warriors called "Knights", who are sworn protectors of the reincarnated Greek goddess Athena. Each Knights wears a powerful armor based on their chosen zodiac constellation, and are called Knights of the Zodiac. They aid Athena in her battle against powerful Olympian gods who are bent on destroying the humankind. The series is comprised of 12 episodes and is produced by Toei Animation.

Based on Original Stories and Characters Created by: Masami Kurumada
Director: Yoshiharu Ashino
Story Editor & Head Writer: Eugene Son
Character Design: Terum Nishii
Armor Design: Takashi Okazaki




Baki

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The protagonist, Baki Hanma, trains with an intense focus to become strong enough to surpass his father, Yujiro Hanma, the strongest fighter in the world. Five of the world’s most violent and brutal death row inmates are gathering to face Baki. Their objective is to taste defeat -- their unmatched strength and skill have led them to grow bored of life itself, and they now seek out Baki in the hopes that he can overwhelm and utterly crush them. In this crisis, other underground martial art warriors gather to fight by Baki’s side: Kaoru Hanayama, Gouki Shibukawa, Retsu Kaioh, and Doppo Orochi. An epic showdown between violent death row inmates and Baki and his friends begins! More than 63 million copies of the original manga series have been printed and the series will be comprised of 26 episodes for Netflix, produced by TMS Entertainment.




Kakegurui



There is one absolute rule in gambling -- at the end of the day, there is a winner and a loser. The winner gains riches and prestige, while the loser is branded a failure and left with nothing. In the silence leading up to the moment that separates winners and losers, instincts are sharpened and desires reach the point of ecstasy. This is a harsh microcosm of life in a capitalist society. Why are people captivated by a world filled with risk? What lies beyond the madness? As the class system of modern society crumbles, an unprecedented adrenaline-pumping anime sweeps the world. Based on the manga by Homura Kawamoto and Toru Naomura (Serialized in Monthly Gangan Joker published by Square Enix), twelve episodes of the series are being produced by MAPPA. Kakegurui stars Saori Hayami, Minami Tanaka, Tatsuya Tokutake, Yuki Wakai, Karin Nanami, Mariya Ise, Yu Serizawa, Tomokazu Sugita, Mayu Udono, Ayaka Fukuhara and Miyuki Sawashiro. The series will premiere in 2018 on Netflix, everywhere except Japan.


Director: Yuichiro Hayashi
Series Composition: Yasuko Kobayashi
Character Design: Manabu Akita
Art Directors: Haruka Matsuda, Masanobu Nomura
Color Designer: Chikako Kamata
CGI Director: Shin Jaehoon
Director of Photography: Takashi Yanagida
Editing: Kiyoshi Hirose
Sound Director: Akiko Fujita
Sound Production: HALF H・P STUDIO
Music: TECHNOBOYS PULCRAFT GREEN-FUND




Fate/Apocrypha



Fourteen Heroic Spirits gather for an apocryphal Holy Grail War. In a city called Fuyuki, seven magi and their Heroic Spirits once clashed in a Holy Grail War. But amid the chaos of the Second World War, a magus made off with the Grail. Decades later, the Yggdmillennia clan holds the Grail high and secedes from the Mage’s Association, declaring their independence. Angered by the move, the Association sends assassins after them, only to have them wiped out by a Yggdmillennia Servant. The choice is made to fight Servants with Servants, and the Holy Grail War system is expanded to two factions of seven Servants each. A Holy Grail War of unprecedented scale -- a Great Holy Grail War -- begins in Trifas, Romania.

The series stars Natsuki Hanae, Maaya Sakamoto, Koki Uchiyama, Miyuki Sawashiro, Junichi Suwabe, Saori Hayami, Shunsuke Takeuchi, Koji Yusa, Ryotaro Okiayu, Makoto Furukawa, Rumi Okubo, Tetsu Inada, Mitsuru Miyamoto, Satoshi Tsuruoka, Ai Nonaka, Kei Shindo and Sakura Tange. Fate/Apocrypha is an ANIPLEX/A-1 Pictures production. The series will be 25 episodes that premiere is the US and Canada on November 7 and everywhere else, except Japan, on December 2.

Original Story: Yuichiro Higashide・TYPE-MOON
Original Character Design: Ototsugu Konoe
Director: Yoshiyuki Asai
Story Editor: Yuichiro Higashide
Music: Masaru Yokoyama
Studio: A-1 Pictures



Children of the Whales

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In the 93rd year of the Sentence of Sand...

In a world covered by oceans of sand, 513 people live in complete isolation on the “Mud Whale,” an island-like ship adrift on the sand. Children of the Whales is an adaptation by director Kyohei Ishiguro and anime studio J.C.Staff based on Abi Umeda’s hit manga of the same name (serialized in Akita Shoten’s “Monthly Mystery Bonita”). Chakuro, the island’s archivist endowed with special powers, meets a mysterious girl named Rikosu as he investigates an abandoned ship that drifted up to the Mud Whale one day. It is the first time anyone on the island has made contact with someone from the outside world, but is it an auspicious sign that a new world awaits?


Children of the Whales stars Natsuki Hanae, Manaka Iwami, Yuichiro Umehara, Nobunaga Shimazaki, Mikako Komatsu, Daiki Yamashita and Hiroshi Kamiya. The series will debut everywhere except Japan on Netflix in 2018.

Director: Kyohei Ishiguro
Series Composition: Michiko Yokote
Character Design: Haruko Iizuka
Art Director: Toshiharu Mizutani (Moonflower)
Color Designer: Miyuki Ishida
Director of Photography: Yoshio Okouchi
Editor: Masahiro Goto (REAL-T)
Sound Director: Jin Aketagawa
Music: Hiroaki Tsutsumi
Animation Production: J.C.Staff



GODZILLA

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Since it was first released as a feature film in 1954, “Godzilla” has become a colossal cultural icon loved by millions around the world. The 2016 release of “SHIN GODZILLA”, directed by Hideaki Anno, reinvigorated the franchise with a novel and realistic depiction of the iconic monster story, earning 82.5 million US dollars at the box-office and capturing the imagination of new and old fans alike. Now in 2017, GODZILLA evolves in an unexpected direction as a feature-length animated film.

The animated movie takes the franchise into uncharted territory -- a harsh world of the future in which Godzilla has dominated the Earth for the past 20,000 years, and a fateful final confrontation with mankind looms. The animated film stars Mamoru Miyano, Takashiro Sakurai, Kana Hanazawa, Tomokazu Sugita, Yuki Kaji and Junichi Suwabe. Prepare for the earth-shattering roar of a brand new GODZILLA, unlike anything heard or seen before.

Production Studio: Polygon Pictures
Directors: Kobun Shizuno / Hiroyuki Seshita
Original Story / Screenplay: Gen Urobuchi (Nitroplus), Sadayuki Murai

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Message » 02 Aoû 2017 22:26

Pour saint seiya ,le magazine Famitsu affirmerais que cette série serait en CGI. :wtf:

CGI surement au rabais Toei animation étant du genre radin, et un certain Eugene Son serait le showrunner de ce remake.

Il a surtout travaillé sur des animés pour KIds US , dont le coté ultra édulcoré de ce genre de production est bien connu !
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Message » 03 Aoû 2017 11:25

Si cela pouvait etre qualitativement dans la veine de Lost Canvas ce serait cool :love:
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Message » 03 Aoû 2017 17:54

Bande Annonce de la S3 de Narcos

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Message » 03 Aoû 2017 19:56

Darkhan a écrit:Si cela pouvait etre qualitativement dans la veine de Lost Canvas ce serait cool :love:


Pour le moment on dirait plutôt un remake en CGI fait par les américains! :roll:
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Message » 03 Aoû 2017 20:06

L'avenir te donnera peut etre raison mais tu juges d'aprés une seule affiche, c'est un peu court, non ?! :ko:
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Message » 03 Aoû 2017 20:59

Darkhan a écrit:L'avenir te donnera peut etre raison mais tu juges d'aprés une seule affiche, c'est un peu court, non ?! :ko:


Je ne juge pas d’après une affiche, mais un américain (il a surtout travaillé sur des séries animées marvel) qui s'occupe de scénariser un remake, tu ne trouves pas cela inquiétant? :hein:

Dans la version US de saint seiya, la mère de Hyôga dort au fond de la mer, c'est dire le niveau ! :wtf:

Et les CGI ca ne donnent jamais rien de bien avec les séries Animées japonaises, car ils maitrisent mal la technique , sauf quand c'est pour les environnement

Je pense que ça viens surement pour la modélisation des armures cette idée, ça peux revenir moins cher a animé qu'en 2D classique , mais ça risque de faire très cheap !
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Message » 03 Aoû 2017 23:49

Toei a produit Appleseed Ex Machina qui est techniquement très bien pour du cell shading (c'est de la 3d !). Ça m'étonnerait pas qu'ils reprennent la même technique et ça pourrait donner un bon résultat... :wink:
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