Marque : PROCEED
Modèle et options : AVP2
Prix de vente : 1800 euros
Département où la marchandise est visible : 95
Possibilité d'expédition : Oui
Montant des frais d'expédition : 40 euros
État de la marchandise : Excellent
Première main : Non
Prix neuf : + de 8000 euros
Facture disponible : non
Date et lieu d'achat : à un ami il y a 1 an
Garantie et date d'expiration : non
Numéro de série : Dés que je l'emballe
Emballage d'origine conservé : Oui
Documentations conservées : Oui
Description générale : voir plus bas
Site web du constructeur :
Commentaires : Que dire..l'un des rares préampli à être aussi bon en HC qu'en hifi avec des convertisseurs de folie!
JE LE VENDS UNIQUEMENT PARCE QUE J'AI TROUVE UN AVP2+6
Liens divers :
Features found include the digital interface receiver (DIR), the "Intelligent FIFO" digital input buffer, and differential DACs for left and right front channels. The #40 and the AVP2 have "identical processing hardware and software," according to Madrigal, and both use four "SHARC" 32-bit fixed/floating point processors for the main zone. Capable of decoding up to eight channels, the AVP2 handles dts, dts-ES, Dolby Digital, THX Surround EX, MPEG-2, HDCD, and PCM-originated digital audio signals up to 24bit.96kHz, including Dolby Pro Logic II. Madrigal's proprietary Stereo Surround mode can be used to enhance two-channel recordings.THX Ultra— THX Ultra processing is used for movies which wereoriginally created for theatrical release; THX may be added to anymultichannel mode associated with movies (Dolby Digital/AC-3,Dolby Pro Logic, Dolby Pro Logic II Movie, DTS, MPEG).•Pro Logic— manually selecting Pro Logic may be needed whenlistening to a conventional (PCM) digital signal, as from alaserdisc player, which does not have an identifying “flag” to indi-cate whether it is simply stereo, or Dolby Surround encoded. (Inthe case of AC-3, DTS, or MPEG, the AVP2 will know positivelywhat sort of decoding is required and will provide it automati-cally.)•Pro Logic + THX— adds THX Ultra II post processing to the basicPro Logic decoding.•Pro Logic II Movie— employs the more advanced Dolby ProLogic II algorithm for decoding Dolby-encoded moviesoundtracks. “DPL II” often yields sound that is surprisingly closeto a discrete multichannel signal such as Dolby Digital 5.1 fromolder movies that lack the discrete multichannel soundtrack. (Notethat the soundtrack should be encoded as a “2.0 Dolby Surround”signal for best results.)•Pro Logic II + THX— adds THX Ultra II post-processing to DolbyPro Logic II Movie decoding.•Pro Logic II Music— a somewhat different configuration of thePro Logic II algorithm which is optimized for use with ordinarystereo music recordings (that are not specially encoded to the 2.0Dolby Surround standard). This configuration often provides stun-ning multichannel sound from ordinary stereo recordings.•stereo surround— for enjoying two-channel stereo recordingsusing all loudspeakers; this is an ambience extraction mode thatuses the natural ambience in the recording itself, rather than syn-thesizing something artificial. The stereo surround mode tends tobe somewhat more subtle than Dolby Pro Logic II. Use it if thePDL II Music mode seems a bit heavy-handed.•mono surround— for monophonic recordings which would ben-efit from some degree of additional ambience or spaciousness,such as many classic movies and some sporting events.•mono on center— a “true” mono, reproduced only through thecenter channel speaker (and subwoofer, if you have one). Noisymono soundtracks often enjoy significant noise reduction by be-ing reproduced in this mode.19•mono on front— the same as mono on center,Frequency response: 20 Hz – 20 kHz, +0dB, –0.2dBTotal harmonic distortion: 0.005% @ 1 kHz, A-weightedMaximum output (XLR): 10 V rmsMaximum output (RCA): 5 V rmsDynamic range: 100 dB (or better)Signal to noise ratio (balanced outputs): 105 dB (ref: 0 dB output)Channel separation: better than 100 dBAnalog filter: Bessel-tuned, linear phase to 40 kHzLow-level linearity: deviation less than 1 dB to -90 dB FS(1 kHz, 20 bit data, 80 kHz measurement bandwidth)Volume range: 0.0 (off) to 91.0 dBVolume resolution: 0.5 dB steps above 31.0 in display1.0 dB steps between 11–31.0 in display2 dB steps below 11.0 in displayDigital inputs:4 S/PDIF electrical on RCA1 S/PDIF electrical on BNC1 AES/EBU electrical1 EIAJ opticalAnalog inputs: 1 balanced stereo pair on XLR7 single-ended pairs on RCARF Demodulator input: Digital Input 3 (w/opt. RF demodulator card)Digital input impedance:75 (S/PDIF electrical)110 (AES/EBU electrical)Digital output:1 RCA (S/PDIF electrical)Digital output impedance:75 (S/PDIF electrical)Main analog outputs: 3 balanced outputs (main left, center, right)8 single-ended outputs (5.1 plus 2 auxiliary channels)Analog output impedance:10 OhmsAvailable trigger current: 80 mA per outletPower consumption: less than 50 WShipping weight: 34 lbs. (15.5 kg)[/b]
Le vendeur de mon AVP2+6 m'ayant gentiment mailé ce matin qu'il avait vendu l'appareil, j'annule la vente de mon AVP2 
Créé le 10 Mar 2023 16:28
